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Andrea del Verrocchio Baptism of Christ oil painting


Baptism of Christ
Painting ID::  73914
Andrea del Verrocchio
Baptism of Christ
Date from 1470(1470) until 1475(1475) Medium Oil and tempera on panel Dimensions Width: 152 cm (59.84 in). Height: 180 cm (70.87 in). cyf

   
   
     

Andrea del Verrocchio Baptism of Christ oil painting


Baptism of Christ
Painting ID::  75117
Andrea del Verrocchio
Baptism of Christ
Date ca. 1475(1475) Medium Oil on panel Dimensions 177 X 151 cm (69.68 X 59.45 in) cyf

   
   
     

Andrea del Verrocchio Tobias und der Engel oil painting


Tobias und der Engel
Painting ID::  75306
Andrea del Verrocchio
Tobias und der Engel
1470 - 1475 Oil on panel 84 X 66 cm cjr

   
   
     

Andrea del Verrocchio Tobias und der Engel oil painting


Tobias und der Engel
Painting ID::  77164
Andrea del Verrocchio
Tobias und der Engel
Date 1470 - 1475 Medium Oil on panel Dimensions Deutsch: 84 ?? 66 cm cyf

   
   
     

Andrea del Verrocchio The Baptism of Christ oil painting


The Baptism of Christ
Painting ID::  81516
Andrea del Verrocchio
The Baptism of Christ
Oil on wood, 177 x 151 cm Date between 1472(1472) and 1475 cjr

   
   
     

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     Andrea del Verrocchio
     Italian Early Renaissance Sculptor, ca.1435-1488 Florentine sculptor and painter, whose real name was Andrea di Michele di Francesco di Cioni. He was a leading figure in the early Renaissance, and his workshop was a center for the training of young artists in Florence. A virtuoso metalworker, Verrocchio was primarily concerned with the spirited rendering of movement and the elaboration of detail. Many of his paintings are lost. Of the remaining panels, his hand is evident in the Baptism of Christ (Uffizi), assisted by Leonardo da Vinci. In the Pistoia altarpiece he was aided by Lorenzo di Credi. Other attributions are Tobias and the Angel (National Gall., London), two paintings of the Madonna and Child (National Gall., London; Berlin), and a Crucifixion with Saints (Argiano). Most of Verrocchio's achievements in sculpture have survived. His earlier work includes the bold group Incredulity of St. Thomas (Orsanmichele). In 1472 he designed the tombs of Piero and Giovanni de' Medici (San Lorenzo). In the same period he created the graceful Boy with a Dolphin and a lithe portrayal of David (Bargello). He went to Venice (c.1480) to work on the equestrian monument of the condottiere Bartolomeo Colleoni.

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     | Jonas Lie | Dirk Valkenburg | George Frederick |


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